RED HELIUM

With the EPIC-W BRAIN, RED brings the EPIC name back to the forefront, featuring their HELIUM 8K Super 35 sensor. While other RED cameras use sensors larger than Super 35, the HELIUM is unique in that it allows for high-resolution 8K recording while using classic cinema lenses designed for the Super 35 film format. While 8K exhibition is not mainstream, the extra recorded resolution is helpful for VFX artists and for future-proofing your productions for a time when 8K is standardized.

Arri ALEXA Mini LF

The ARRI ALEXA Mini LF combines large-format resolution with an optimal pixel size for excellent image quality producing vivid, nuanced images with natural skin tones and smooth bokeh. The Mini has the highest dynamic range of any production camera.

Designed with ARRI’s LPL lens mount that has been optimized for large-format capture, it is compatible with all PL-mount lenses with the use of a PL-to-LPL adapter.

Arri BL3

Film Format: 35mm
Dimensions with 400′ mag: Height: 9.1″ (230mm), Width: 11″ (280mm),
Length: 17.3″ (440mm), Weight: 28.5lbs (13kg)
Frame rate: crystal 24-25 fps, variable 6-40 fps

Arri SR1

Like all Arri cameras the 16 SR 1 incorporates the Arri pin register film movement. It is sync at 24 and 25fps and will varispeed from approx 5 to 75fps. A complete Arriflex 16 SR 1 16mm shooting kit comprising

Shoot 35mm, Super 35mm, Full Frame and Beyond
The Cooke S7/i, T2.0 Full Frame Plus Primes are designed to cover the emergent full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle).

Shoot 35mm / Super 35mm formats, full frame, VistaVision and beyond – all with The Cooke Look®. We have you covered with our S7/i Full Frame Plus lenses.

Superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability.

And, the S7/i lenses come equipped with /i Technology for frame by frame digital information capture, as do all modern Cooke cine lenses for film and digital capture.

Available in focal lengths: 18, 25, 40, 75, and 100mm.

Feature Highlights

• T2.0 – T22 aperture
• Covers at least 46.31mm image circle
• Colour matched to Anamorphic/i, S4/i, miniS4/i, 5/i and Pancro/i Classic lenses
• Award-winning cam style mechanism for smooth focus adjustments
• Especially well balanced for astigmatism and correct for lateral and longitudinal aberrations over the entire image area
• Supplied with the next generation of /i Technology for lens metadata capture
• Linear iris
• The Cooke Look®, of course

DJI Ronin

The Ronin 3-Axis Brushless Gimbal Stabilizer from DJI is a camera stabilization system designed to give the operator close to the freedom of unencumbered handheld shooting but without the hand-shake. Suitable for most camera types and configurations up to 16 pounds, Ronin uses brushless motors that work on three axes: one for side-to-side “roll” – keeping the horizon level – one for tilt, and one for pan.